“For me, Afrofuturism – and here I follow Kara Keeling (2019) – means to relate to the emancipatory potential in the present that was not realized in the past – even though this present hangs on the long arm of slavery.”, Katrin Köppert, curator of the series
“Ain’t no body caught me,” pays tribute to god mothers of “black” music and her daughters, through an afro-futuristic narrative. This audio-visual anti-lecture, focusing mostly on Black American music made by women, from blues to hip-hop and a bit of the in between, reimagines her afro-futuristic presence from time into the continuum.
/ For registration please contact: feministmagiX@hgb-leipzig.de
/ For further information on the series click here
